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Arboretum
It’s almost spring—not quite, but just
 Spring; the ancient trees are leafed
 And spring has woken jasmine on the trellis
 And kissed the irises to bloom.
 Overhead, the hoary branches wave—
 The trees are dark and mossy with old age
 Thick with ivy, bright and tender
 With new leaves.
 There’s a bride and groom kissing
 By the misting gardens; overhead
 The cypress and myrtle gently sway
 And all the ladies cry.
 There’s a little daffodil in pink
 Laughing on Daddy’s shoulder in the sun 
 As down the hill together they go bounding, 
 Past the honeysuckle and hyacinths
 And little painted tigers skip past the tulips
 And little dusty pirates steal azaleas
 And frolic in the fern. 
 The bronze hart and brassy hind look on
 As, by the little glistening rill,
 Canopied by live oak, ringed with cattails, 
 He goes down on one knee
 And water’s not all that sparkles there.
 Out by the lake where tulips bend and dance
 The piano’s fading notes float past
 A golden dusty mote of memory—
 The wind blows sweet and warm.
 And old Henry and Lois go slowly down the hill
 Hand in hand, past bright anemone
 And past the trailing ivy, thick with bud
 Not yet burst, but ripe for gentle spring’s
 First touch.

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It is a deeply symbolic piece. Each of the flowers (tulips, anemone, ivy) symbolizes something different (new life, enduring love) in the Victorian flower language. The whole poem is about the parallel between life and the changing seasons, or love and Spring.