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motion capture.
She presses tensed hands together, imitating
 two frenzied young boys in a fight, landing a blow,
 and pools out an exhale like her very soul is floating off,
 suitcase full and spilling over with words she didn't say –
 all to give away to someone who could spin them off better on
 the tip of their tongue like a basketball on a player's pointer.
 There's the pause where a million thoughts
 collide,
 a bigger bang
 obliterating thousands of her registered comets, crashing into stars and
 galaxies once coveted for their river's azure glow in the lens of
 some cheap camera buried in a pawn shop,
 
 
 
 
 
 
 
 
 
     overpriced and film frail.
 
 She'll regard the thought as a writer would a blankly lined paper 
 where no words will form and the ink smears the meanings of the ones
 that do,
 before pressing the creased corners of her wrists to each other,
 watching mesmerized as one would be after hiding
 from the lost paths of rain
 drops
 and awkward, necessary niceties – 'scuse me, sorry, pardon, pardon – in
 the hustle of a crowded school; 
 the irrigated interior of the umbrella reflecting
 the rain
 drops'
 last will upon the colourful exterior field yawning below the sky..
 she hasn't missed the rainbow yet, but
 exertion of pressure fading like retreating clouds against
 the sun's UV presence,
 a finger slides over recycled skin's
 creation of white snow crests spilling over iron-oxide landfills
 stretching into peasant-rationed speed bumps
 across her wrists,
 a vertical highway of its own with no divider, though
 few had dared to speed off the taut cliffs in hopes,
 wild and desperate
 to reach that horizon as the sun
 
 
 
 
 
 
 
     bubbled
 
 
 
 
 
 
 
 
 
    over.
 
 Two X's are released from the other's company,
 remain level, always near and watching in silver paranoia;
 her eyes study them like an exhausted teacher would scrutinize
 a muddled test of messy script and misplaced answers,
 just wondering
 if any attempt was made.
 Given time, she explains the strategic marking of the
 tendons beneath, spinning a heartbeat like the core of a good poem's rhythm,
 and mashes them back together 
 as one would flatten cookie dough in a pan,
 unsatisfied.
 
 "It's a long road," she says, and ever the poor conversationalist
 with sturdy eye contact mismatched from her mumbling tone
 perpetually stuck in the library where she dare not
 raise her voice or her self-worth.
 "It's so I know when I run out of gas –
 y'know me, I'd miss that refueling station and
 I'm near empty already..
 wouldn't have enough to keep on –
 at least now
 I know where the nearest exit is. I'm okay
 pushing myself there." Funny lilt of her lips,
 some semblance to a smile with her last regards to
 optimism's sense of humour and
 how she never had it,
 
 
 
 
 
   but tried to.
 
 She pressed weakened hands together, drops them,
 limp as a dove's clipped, featherless wings,
 like one tired young lady begging for respite, maybe
 just one rest stop.

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- Caroline Kettlewell